Reviews of Attainable Hi-Fi & Home-Theater Equipment

Reviews of Attainable Hi-Fi & Home-Theater Equipment

  • SoundStage! Shorts - Livio Cucuzza on Audio Research's Industrial Design (November 2018)
  • SoundStage! InSight - Audio Research Past, Present, and Future (October 2018)
  • SoundStage! Shorts - KEF's New R Series for 2018 (September 2018)
  • SoundStage! InSight - Simaudio Moon 390 Digital/Analog Preamplifier and Streamer (September 2018)
  • SoundStage! Shorts - EISA 2018-2019 Awards Introduction (August 2018)
  • SoundStage! InSight - Simaudio's $118,888 Moon 888 Mono Amplifiers (June 2018)
  • SoundStage! Shorts - Totem's Tribe Tower (May 2018)
  • SoundStage! InSight - Amphion's Three Newest Argon Loudspeakers (April 2018)
  • SoundStage! Shorts - Making the Hegel Mohican CD Player (March 2018)
  • SoundStage! InSight - Estelon Lynx Wireless Intelligent Loudspeaker (March 2018)
  • SoundStage! InSight - McIntosh's Five New Solid-State Integrated Amplifiers (January 2018)
  • SoundStage! Shorts - Amphion's Krypton Loudspeaker (January 2018)
  • SoundStage! InSight - Anthem STR Preamplifier and Power Amplifier (December 2017)
  • SoundStage! Shorts - McIntosh Laboratory MA252 Integrated Amplifier (November 2017)
  • SoundStage! InSight - Hegel H90 and H190 Integrated Amplifiers (October 2017)
  • SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)

Since 1977, with a brief break around 2000, Mobile Fidelity Sound Lab records have had a reputation for being some of the best vinyl available anywhere. BDA (Before Digital Audio), Mobile Fidelity’s half-speed-mastered SuperVinyl LPs had incredible dynamic range and superquiet surfaces. Finally, after all these years, Mobile Fidelity offers its own line of turntables, sold under its MoFi Electronics brand. I had the pleasure of auditioning their basic model, the StudioDeck.

MartinLogan’s slogan is “Truth in Sound.” Like most speaker companies, they strive to make products that re-create the most complex musical passages as faithfully as possible. In their lines of large hybrid-electrostatic speakers, they try to do this by using an extremely thin, light membrane with excellent transient response. For optimal horizontal dispersion, the panel is curved. This panel is coupled to a conventional woofer cone to reproduce deep bass frequencies that the electrostatic panel cannot.

If you looked at the title above, shook your head, and said, “Huh?” I wouldn’t be surprised. I’d never seen a standalone phono stage that also contained a headphone amp either. That’s only one of the surprises offered by the Cambridge Audio Duo ($299.99 USD).

Note: Measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.

My first and second reviews for the SoundStage! Network are of loudspeakers from Bowers & Wilkins. I’m hoping that, just as this reviewing gig begins to burgeon, this won’t typecast me as “the B&W guy.” But if it did, I wouldn’t mind -- I’ve loved spending time with these beauties. I’m just finishing up listening to a pair of 705 S2s ($2500 USD per pair) for SoundStage! Hi-Fi -- now, for SoundStage! Access, I’ve got my hands and ears on a pair of 606 minimonitors.

Reviewers' ChoiceSumiko, a well-established importer and distributor of excellent audio gear, recently added to its Oyster line three new moving-magnet phono cartridges: the Oyster Rainier ($149 USD), the Oyster Olympia ($199), and the subject of this review, the Oyster Moonstone ($299). These models continue Sumiko’s tradition of value-priced cartridges, two of which have become standards: the Oyster Pearl moving-magnet and the Blue Point moving-coil, a cult favorite.

Reviewers' ChoiceWhat’s in a name? According to my family history, it’s said a Scandinavian king’s personal guards were the only people in the kingdom allowed to use the crescent moon as their symbol. After raiding England sometime around 1000 CE, they decided the weather there was better than in their homeland, settled in Yorkshire, and took Moon as their name. A Korean acquaintance told me that Moon is one of the most common surnames in her homeland, along with Pak (Park), Kim, and Lee. That must be the case, given the amount of junk mail this Moon receives, most of it in Korean.

Note: Measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.

Reviewers' ChoiceParadigm’s Monitor SE Atom is one of the least expensive loudspeakers I’ve ever reviewed. At $298 USD per pair, the Canadian company’s entry-level model isn’t an aspirational product that someone will lust over for months, waffle back and forth about whether to buy, then pull the trigger on in a moment of weakness. These are speakers that almost everyone can afford, and that anyone can appreciate.

There are brands with history, and then there are brands with history. Technics is one of the latter. Created and owned by Japanese electronics giant Matsushita, aka Panasonic, Technics released its first product, the Technics 1 two-way bookshelf speaker, in 1965; the following year came the 20A tube amplifier, and in 1969 the 50A solid-state integrated amp and Technics’ first turntable, the SP-10. Each of these products was pioneering in its own way. The SP-10 was the world’s first direct-drive turntable, a design approach that required cutting-edge engineering and precision manufacture. Technics’ subsequent turntable model, the SL-1200, became, in its many forms, one of the most popular turntables of all time, with more than 3.5 million units sold during its 38-year production run of 1972 to 2010.

Elac IW-S10EQ measurements can be found by clicking this link.

It’s almost impossible to get smooth, natural bass reproduction without a subwoofer -- and this principle is easy to prove, despite the dominance of 2.0-channel systems in high-end audio. But a subwoofer is also the most troublesome component in audio: the most prone to distortion, the most difficult to place and adjust, and the most obtrusive. With its IW-S10EQ in-wall subwoofer, Elac aims to solve the latter two problems.

Although NAD is a Canadian-owned company, its roots are in London, UK, where many music aficionados never abandoned the turntable as their favorite music source. So it’s not surprising that NAD’s new C 558 record player ($499 USD) follows the pattern set by Linn, Rega, Revolver, Roksan, and other British firms: a turntable thoroughly traditional in concept and totally modern in practice, with no frills, flash, or gimmicks.