Reviews of Attainable Hi-Fi & Home-Theater Equipment

Reviews of Attainable Hi-Fi & Home-Theater Equipment

Note: Measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.

Reviewers' ChoiceQ: What are those funny-looking speakers in Joey and Chandler’s apartment on Friends?

A: MartinLogans!

It’s fair to say that MartinLogan is at least partially responsible for popularizing the electrostatic speaker.

The UK company Audiolab has been around since the early 1980s. Some readers may know or remember them as TAG McLaren Audio -- the ownership and branding changed in 1997, but in 2003 TAG McLaren ceased production, and in 2004 Audiolab, once again under its original name, became part of the International Audio Group.

Reviewers' ChoiceWhen I became obsessed with high-quality audio -- in the 1960s, when woolly mammoths roamed the earth -- there were two serious choices for playing records. There was the automatic turntable, which could play as many as a half-dozen LPs in sequence. (Back then, the six sides of, say, an opera recorded on three LPs would be numbered like so: disc one, sides 1 and 6; disc two, sides 2 and 5; disc three, sides 3 and 4. Stack the discs on the spindle, sides 1 through 3 in order, bottom to top; when all three discs have been played, flip the entire stack upside-down, load it on the spindle. All six sides will have been played in numerical order.) This new development was a more precise and respectable version of the common record changer, which often damaged the LPs stacked on their spindles. Entering this market were models from the famous British company Garrard, joined by German newcomers (to North America) Dual, Elac Miracord, and Pereptuum Ebner. These first-generation autotables had all the conveniences of a changer but were gentler with one’s vinyl, and were better designed as turntables proper, producing less wow and flutter, and working with cartridges that could track records while exerting less damaging pressure on delicate grooves.

Note: Measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.

The United Kingdom has a long, rich history of birthing and nurturing makers of exceptional loudspeakers: Bowers & Wilkins, Harbeth, KEF, Monitor Audio, Spendor, Tannoy, Wharfedale -- and those are only the ones I can think of off the top of my head. That Monitor Audio, founded in 1972, is one of the newer kids on that block is further testament to the UK’s longtime stature as a fertile breeding ground for hi-fi, as well as to the staying power of Monitor and the other remarkable manufacturers on this list.

If you’re like me, you probably don’t know much about the Triad brand, but as it turns out Triad has been manufacturing speakers in their factory in Portland, Oregon, for 30 years now. Triad specializes in the custom installation of complete audio systems in homes and commercial spaces, and an interesting aspect of their product line is that they make multiple versions of each speaker: in-ceiling, in-wall, on-wall, and freestanding, to suit your room layout. At the 2014 CEDIA Expo, it was Triad that Dolby Labs partnered with to debut the Dolby Atmos home-theater system. Since then, Triad has designed and installed more than 600 Dolby Atmos home theaters.

Note: Measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.

Danish Audiophile Loudspeaker Industries (DALI) grew out of Scandinavia’s leading audio retail chain, HiFi Klubben, in 1983 -- both companies were founded by Peter Lyngdorf. DALI now claims more than a million owners of their products worldwide, in 70 different countries.

Note: Measurements can be found through this link.

Reviewers' ChoiceNew Acoustic Dimension (NAD) was founded in London, England, in 1972. Since 1999, the electronics manufacturer has been owned by the Lenbrook Group, the Canadian parent company to sister brands Bluesound and PSB Speakers. NAD’s reputation for making no-nonsense, high-value gear began in 1978 with the 3020, a legendary integrated amplifier that combined genuine hi-fi sound quality with supreme affordability ($135 USD in 1978). In 2012, to celebrate NAD’s 40th anniversary, the 3020 was reimagined as the D 3020, a diminutive, class-D integrated amplifier-DAC. In August 2018, Sathyan Sundaram raved about that model’s successor, the D 3020 V2 ($399), which was then named one of our Products of the Year. The D 3020 V2’s combination of a power rating of 30Wpc into 8 ohms, a moving-magnet phono input, and a variety of analog and digital inputs and outputs, make it a flexible, albeit not universally comprehensive, one-box integrated-DAC. It’s not perfect -- 30Wpc is enough for smaller rooms, but not for larger spaces and/or inefficient speakers. The D 3020 V2 also lacks some useful connections, and has some uncommon connectors; e.g., stereo miniplugs for its subwoofer and preamp outputs.

Reviewers' ChoiceAudiolab was founded in the early 1980s, in the UK, and first achieved critical acclaim for the 8000A integrated amplifier. In 1997, under new owners, the brand was renamed TAG McLaren Audio, and in 2004 was sold to International Audio Group, when its original name was restored. In 2010, Audiolab released its 8200 series of models, to build on the legacy of the 8000A. Most recently, Audiolab launched the five models of the 8300 series, which includes the 8300A integrated amplifier.

Reviewers' ChoiceI recently reviewed Paradigm’s Premier 100B minimonitor loudspeaker, and came away very impressed by it for its price of $798/pair USD -- though I thought the little speaker’s 5.5” midrange-woofer could have used some help with the lower octaves. What should happen next, before I’d even packed up the Premier 100Bs to send them back, but Doug Schneider asking me to review Paradigm’s Defiance V12 subwoofer ($649) -- a happy coincidence.

When I was a mere cub, I yearned for a mono “hi-fi” (on my budget, stereo was out of the question). I saved up my allowance and paper-route bucks, bought a 15W mono integrated amplifier and a basic FM tuner from RadioShack, and was given a 12” full-range speaker from a neighbor, a hi-fi fan. My final purchase was a Voice of Music (aka V-M) record changer. It came with a dopey ceramic cartridge that I, in all my teen wisdom, was determined to replace with a grown-up magnetic cartridge. At a local hi-fi emporium I found a used Empire 880P, which actually fit the arm’s headshell (though the vertical tracking angle must have been horrendous).