Reviews of Attainable Hi-Fi & Home-Theater Equipment


Reviews of Attainable Hi-Fi & Home-Theater Equipment

  • SoundStage! InSight - Audio Research Past, Present, and Future (October 2018)
  • SoundStage! Shorts - KEF's New R Series for 2018 (September 2018)
  • SoundStage! InSight - Simaudio Moon 390 Digital/Analog Preamplifier and Streamer (September 2018)
  • SoundStage! Shorts - EISA 2018-2019 Awards Introduction (August 2018)
  • SoundStage! InSight - Simaudio's $118,888 Moon 888 Mono Amplifiers (June 2018)
  • SoundStage! Shorts - Totem's Tribe Tower (May 2018)
  • SoundStage! InSight - Amphion's Three Newest Argon Loudspeakers (April 2018)
  • SoundStage! Shorts - Making the Hegel Mohican CD Player (March 2018)
  • SoundStage! InSight - Estelon Lynx Wireless Intelligent Loudspeaker (March 2018)
  • SoundStage! InSight - McIntosh's Five New Solid-State Integrated Amplifiers (January 2018)
  • SoundStage! Shorts - Amphion's Krypton Loudspeaker (January 2018)
  • SoundStage! InSight - Anthem STR Preamplifier and Power Amplifier (December 2017)
  • SoundStage! Shorts - McIntosh Laboratory MA252 Integrated Amplifier (November 2017)
  • SoundStage! InSight - Hegel H90 and H190 Integrated Amplifiers (October 2017)
  • SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)

Deadbeet Records DBR-103
Format: CD

Musical Performance ***1/2
Sound Quality ***1/2
Overall Enjoyment ***1/2

201005_dutchmansEloquent imagery and raw acoustics paint pretty, bluesy ballads on Dutchman’s Curve, David Olney’s April release. The Rhode Island-born singer-songwriter has produced an impressive discography since the early 1970s, and his latest album is a worthy addition. Unafraid to bring nontraditional instruments into the blues realm, Olney invites cellist/violinist David Henry and Jim Hoke on autoharp to throw the listener for a loop on several tracks, and he tries his own skillful hand at the ukulele, which fits in smartly on the opening “Train Wreck” and the loping, sultry “I’ve Got a Lot on My Mind.” “Little Sparrow” offers an oddly country-tinged homage to French chanteuse Edith Piaf, but it somehow hits the mark.

Each song tells an intricate story, and Olney reflects on a variety of subjects, from a 1918 Nashville train wreck that was the worst in American history to Vermeer’s painting “The Girl with the Pearl Earring.” With poetic inspiration from such a wide range of sources, it’s no wonder that his songs have been covered by such artists as Emmylou Harris, Johnny Cash, Linda Ronstadt, and Steve Earle. Each of Olney’s songs bears a saga, a narrative, or a recount of some forgotten piece of history. On “Way Down Deep,” Olney snarls a murky number over a resonating electric slide guitar and beefy baritone and tenor sax. Most of the tracks are originals, with the exception of the Tommy Goldsmith song, “Hey Sha La La La,” and The Flamingos’ “I Only Have Eyes for You,” both soul songs that reveal Olney’s passion for belting out a good “doo wop sh’bop” now and again. Dutchman's Curve is a highly enjoyable album that’s not too serious but is seriously well produced. It’s a thoughtful and intelligent disc that’s rife with pretty riffs and imagery.