Reviews of Attainable Hi-Fi & Home-Theater Equipment

Reviews of Attainable Hi-Fi & Home-Theater Equipment

  • SoundStage! InSight - Audio Research Reference 160M Amplifier (February 2019)
  • SoundStage! Shorts - Livio Cucuzza on Audio Research's Industrial Design (November 2018)
  • SoundStage! InSight - Audio Research Past, Present, and Future (October 2018)
  • SoundStage! Shorts - KEF's New R Series for 2018 (September 2018)
  • SoundStage! InSight - Simaudio Moon 390 Digital/Analog Preamplifier and Streamer (September 2018)
  • SoundStage! Shorts - EISA 2018-2019 Awards Introduction (August 2018)
  • SoundStage! InSight - Simaudio's $118,888 Moon 888 Mono Amplifiers (June 2018)
  • SoundStage! Shorts - Totem's Tribe Tower (May 2018)
  • SoundStage! InSight - Amphion's Three Newest Argon Loudspeakers (April 2018)
  • SoundStage! Shorts - Making the Hegel Mohican CD Player (March 2018)
  • SoundStage! InSight - Estelon Lynx Wireless Intelligent Loudspeaker (March 2018)
  • SoundStage! InSight - McIntosh's Five New Solid-State Integrated Amplifiers (January 2018)
  • SoundStage! Shorts - Amphion's Krypton Loudspeaker (January 2018)
  • SoundStage! InSight - Anthem STR Preamplifier and Power Amplifier (December 2017)
  • SoundStage! Shorts - McIntosh Laboratory MA252 Integrated Amplifier (November 2017)
  • SoundStage! InSight - Hegel H90 and H190 Integrated Amplifiers (October 2017)
  • SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)

Lifehouse AlmeriaGeffen B 001778502
Format: CD

Musical Performance ***1/2
Sound Quality ****
Overall Enjoyment ****


Lifehouse’s breakout album, No Name Face, was released in 2000, when I was in 10th grade. I loved it. Their hit “Hanging By a Moment” was only the third song in history to have been named “No.1 Song of the Year” on Billboard’s Hot 100 chart, despite never having actually reached No.1 in the magazine’s charts. I have no recollection of Lifehouse after No Name Face, primarily because I never bought any of their subsequent four albums. But with the release of Almería, I endeavored to reassociate myself with this Los Angeles-based rock band to see how they’d fared in the 12 years since.

Having picked up the deluxe edition of the album, which includes three additional songs, it took me only a few seconds to recognize the inimitable voice of lead singer Jason Wade. Though one would never mistake Almería for anything other than a polished studio production, it’s an interesting collection of music, and not all homogenous drivel. The album takes several different tacks, veering from the radio-friendly “Between the Raindrops” and the Coldplay-esque “Nobody Listen” to an almost country vibe in “Slow Motion” and “Right Back Home.” The rest of Almería is very reminiscent of No Name Face, with which I am still intimately familiar.

The radio-friendly songs benefit from catchy harmonies, especially “Between the Raindrops,” which features guest singer Natasha Bedingfield. The recording quality of this track is strong, with Wade’s etchy voice in stark contrast to the surrounding guitars and synthesizers. His lyrics are a bit uninspired -- “Hold on and take a breath / I’ll be here every step / Walking between the raindrops with you” -- but his delivery is impassioned and genuine. “Only You’re the One” has similar qualities, with a strong central vocal that supports the rest of the music. In this anthem of love, unfortunately, the last ounces of resolution are buried as the smoothly sweeping guitar riffs push the song along, giving it -- and, indeed, the entire album -- a bit of a filtered quality.

Yet there’s a silver lining. “Where I Come From” sounds like vintage Lifehouse, as if the song had been written and performed for the band’s first mixtape. And in my favorite cut, “Aftermath,” the band wears its collective heart on its sleeve. A graceful piano introduces Wade’s closely miked voice -- his best effort on the album -- and builds to a grand climax that closes out the song. The keyboard runs from left to right of the soundstage, rich chords resonating from the player’s left hand, the melody quietly played by the right, as the drums sound from much farther back.

While Almería doesn’t set a benchmark for sound quality, it’s a strong showing for a large studio recording, and Lifehouse do their best to retain their signature sound while treading some new ground. This album has quite a bit of personality, and offers an easy and pleasing 50 minutes of music.

. . . Hans Wetzel