Reviews of Attainable Hi-Fi & Home-Theater Equipment

Reviews of Attainable Hi-Fi & Home-Theater Equipment

  • SoundStage! InSight - Audio Research Reference 160M Amplifier (February 2019)
  • SoundStage! Shorts - Livio Cucuzza on Audio Research's Industrial Design (November 2018)
  • SoundStage! InSight - Audio Research Past, Present, and Future (October 2018)
  • SoundStage! Shorts - KEF's New R Series for 2018 (September 2018)
  • SoundStage! InSight - Simaudio Moon 390 Digital/Analog Preamplifier and Streamer (September 2018)
  • SoundStage! Shorts - EISA 2018-2019 Awards Introduction (August 2018)
  • SoundStage! InSight - Simaudio's $118,888 Moon 888 Mono Amplifiers (June 2018)
  • SoundStage! Shorts - Totem's Tribe Tower (May 2018)
  • SoundStage! InSight - Amphion's Three Newest Argon Loudspeakers (April 2018)
  • SoundStage! Shorts - Making the Hegel Mohican CD Player (March 2018)
  • SoundStage! InSight - Estelon Lynx Wireless Intelligent Loudspeaker (March 2018)
  • SoundStage! InSight - McIntosh's Five New Solid-State Integrated Amplifiers (January 2018)
  • SoundStage! Shorts - Amphion's Krypton Loudspeaker (January 2018)
  • SoundStage! InSight - Anthem STR Preamplifier and Power Amplifier (December 2017)
  • SoundStage! Shorts - McIntosh Laboratory MA252 Integrated Amplifier (November 2017)
  • SoundStage! InSight - Hegel H90 and H190 Integrated Amplifiers (October 2017)
  • SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)

Radio Music SocietyHeads Up HUI 33626-00
Format: CD

Musical Performance ****
Sound Quality ****
Overall Enjoyment ****


Esperanza Spalding’s command of multiple musical idioms is evident in "Radio Song," the first track of her new disc, Radio Music Society. She injects a hint of jazz vocalise after a couple of verses of nicely developed funk inspired by Earth, Wind & Fire. It’s not only that she’s brash enough to throw jazz into the mix, it’s also the ease with which she makes the transition -- you hardly notice until it’s there. Radio Music Society is more groove-heavy than Spalding’s three previous discs, and jazz purists will probably see it as a bid for commercial success. But her inspirations are the sophisticated soul of Stevie Wonder and EW&F, and jazz fans should find her harmonic flights beautiful and daring.

Spalding’s "Hold On Me," a full-bore swinger with a rollicking big-band arrangement, will keep the traditionalists happy, and the presence of Blue Note stalwart Billy Hart on drums may also reassure them. Spalding’s deeply layered arrangement of another of her compositions, "Vague Suspicions," is also old school but without being stodgy, and anyway, her overarching goal isn’t to reassure. Her choice of Q-Tip to coproduce "Crowned & Kissed" and "City of Roses" suggests an interest in shaking things up for herself and her listeners.

"Black Gold" features current R&B singer Algebra Blessett and jazz guitarist and vocalist Lionel Loueke, while "Endangered Species" brings in another young soul singer, Lalah Hathaway. Jazz stars Joe Lovano and Jack DeJohnette also appear, but Radio Music Society never feels as if the stars are brought in for name recognition. Lovano effortlessly plugs in to the Latin groove of "I Can’t Help It," and Blessett and Spalding play off each other beautifully in "Black Gold." The musicians enliven Spalding’s tunes with their individuality. Several tracks feature the 12-piece American Music Program horn section, a youth band conducted by one of Spalding’s mentors, Dr. Thara Memory.

At the center of Radio Music Society are Spalding’s popping, rolling bass lines, and her grasps of jazz and funk are impressive and effortless. Still, the main attraction is her voice, and here Spalding eases off from her tendency, on previous discs, to show off. She doesn’t waste a note or push too hard at any point, and her singing shows greater emotional depth and maturity. She’s also a subtle and talented lyricist. The treacle-infused "Cinnamon Tree" is the one lull in an otherwise well-balanced collection of jazz and pop.

Although Spalding’s bass is prominently placed in the mix, the sound is pleasing overall, with far less compression than I’ve come to expect from current recordings. Her voice, too, is out in front, and the horns are convincingly presented. The backing vocals are a key part of the overall effect of Radio Music Society, and they sound rich and detailed. Esperanza Spalding fans will be pleased.

. . . Joseph Taylor