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To Hans Wetzel,
I just read your article about streaming and Tidal and AirPlay. I agree wholeheartedly about the predicament many would be in if Tidal were to go bankrupt or something else, but for now I’m enjoying lossless streaming all day, every day in my job at a hi-fi store here in Trondheim in Norway.
I’m sure it’s been suggested to you already, but have you tried Bluesound’s products? Specifically, I would recommend the Bluesound Node 2 for your streaming needs in the main system. I bought one this autumn and have been using it every day since. Just thought I’d give you a tip. Hope it helps, although I’m probably far from the first to suggest this to you. I really like the SoundStage! webpages, by the way, and especially SoundStage! Access, since I’m not really in a position to buy really expensive gear. Keep up the good work!
Med venleg helsing [kind regards],
Thanks for the kind words. As for Bluesound, no, I haven’t had the opportunity to try their products, but we reviewed the Node 2 (along with the Vault 2 and Pulse Mini) back in 2016 on our sister-site SoundStage! Xperience. It looks super convenient for streaming from online services and local computers or NAS device. In my case, though, I have local media on an external hard disk drive -- not a local computer or a NAS device -- and my old computer with Roon would effectively fill this role, albeit in a less-streamlined fashion than the Node 2. Unfortunately, the Node 2’s $499 retail price would get me a full-fledged computer that could fit my needs almost as well, so I don’t think I would gain much from it. That said, I appreciate the suggestion! . . . Hans Wetzel
To Hans Wetzel,
Attributes like USB audio, minimalistic, Tidal streaming (MQA), server storage, and cheap do not go together in the audiophile world. Unless we are talking about the Auralic Aries Mini. I have had mine for a while and in my humble opinion, there is absolutely nothing on the market right now that surpasses it for $500. I currently use it with its own interface app (Lightning DS) to stream Tidal to my Parasound Halo Integrated via USB (FLAC, DSD, Tidal MQA). It also supports an internal storage drive, should you wish to add your own. About two years ago I asked you [via e-mail] to give it a try. You said that you were given no response from Auralic. You may want to give them another call (or e-mail). Really cool group, and the president himself answers the support messages every time I have a question. I hope you find what you are looking for!
We’ve been looking to review Auralic’s products for several years now, but for a variety of reasons it’s never worked out. On your advice, I’ve reached out directly to Auralic’s CEO, Xuanqian Wang, and to my surprise he responded. I’m hoping that we’ll soon be able to see (and hear) first-hand what Auralic’s products can do in the form of a review sample or two. Unfortunately, he did confirm that the Aries Mini is no longer sold in the North American market. That probably rules out my purchasing one unless I find a used example. That said, many thanks for nudging me via e-mail. In the meantime, I may just buy a cheap Windows laptop or used Mac Mini and start using Roon again. . . . Hans Wetzel
To Hans Wetzel,
I read your review [of Dynaudio’s Emit M10] and as a lover and longtime owner of Dynaudio speakers I wanted to fill you in a few aspects of the design. I have had [Dynaudio’s] Audience 40 in my surround for over ten years. It is a great little speaker, sort of like what the Rogers LS3/5a could have been: an extremely accurate small speaker, but without the mid-bass hump. One of the things that it lacks, as opposed to its big brother Contour 1.8 MK II, which was my main speaker for many years, is a beveled edge to the baffle. It is not there for cosmetics, it is there to reduce diffraction at the baffles edge. I don’t know why more manufacturers don’t pay attention to that detail, as it should be a part of Speaker Design 101. There is also a good reason to have the bolt heads accessible on the face of the speakers. These can loosen over time, so it is good to periodically check that they are snug. Thanks for reviewing the Emit. I am glad that it continues in the spirit of their motto: Danes don’t lie.
To Hans Wetzel,
I intended to write to you before, perhaps as long as nearly two years ago. I just wanted to tell you that I think that you are a great thinker -- and a gifted writer. And no, I’m not about to pull out the rug from under you. You remind me of me in my 20s -- but possessed of notably keener intellect and personal insight. I look forward to your editorials and discuss them with my beloved Alice. After what has happened here, she has read your editorials -- a first for a non-audiophile like her.
Your quest for the “right” speaker and ancillary equipment strikes a familiar chord. I love music: it comforts, stimulates, consoles, lifts one’s soul. But I love wild nature far more. And I also believe in doing what I can for those of my own species who are less fortunate. That was my career and not a glamorous or remunerative choice. [And] so it goes. I would do it again -- in a heartbeat. So how do I justify purchasing “unnecessary” material goods with a varying, but generally ridiculous carbon footprint, and also look in the eyes of the next homeless person I meet when I truthfully tell him that I have no spare cash? And voice my concerns about the fate of our Earth, our island home?
Over the years, I careened between small speakers, decent electronics, and turntables available for little of my income and large expensive speakers and accompanying gear. The sad fact is that in the end -- or nearly the end -- I realized that I was deluded to some degree. My first “real" system arguably was the best I’ve owned -- within limitations primarily imposed by my preference for small living spaces (I recognized long ago that the US lifestyle as promoted in popular culture was toxic for the planet). I purchased a [used] pair of Rogers LS3/5A speakers, Connoisseur BD101 turntable, Grace 707 Mk.II tonearm, Grado MM cartridge, and NAD 3020 [integrated amplifier]. Less than $1100 produced magic -- in 1978 dollars. But I subsequently thought that I needed more bass, greater dynamics, etc. There ensued 38 years of selling this and buying that and always experiencing a sense of severe disappointment after a few weeks, especially when it came to electronics -- promises never fulfilled. Changing up to a Linn did make a difference on vinyl replay (and also drove me spare with its “fussiness”). And all the money could have been put to far better use, especially since my first system reproduced music so well and there are less selfish pursuits when all is said and done. And I recalled that in 1979 a friend brought over his open-reel deck and a tape of some jazz he had recorded in his studio. His jaw dropped when he heard the music through the little LS3/5A speakers. He remarked that he hadn’t heard the recording sound so real since he sat in the studio. That remark was spot on, as I was to learn.
But, your review of the Dynaudio Xeo 2 (and a series of editorials that preceded the review) made me want to seek them for an audition and get off the hamster wheel of decades of “upgrading.” My soulmate, Alice, arrived after the LS3/5A speakers were gone and absolutely couldn’t tolerate any that followed. She claimed that other speakers hurt her ears. No such complaints about the Xeo 2s (hurrah) and no ridiculous carbon footprint. No clutter -- important to someone like Alice who insists that living quarters always must be “ship-shape and Bristol fashion.” No reasonable shortage of dynamics and no reasonable shortage of bass in a 160-square-foot room that is typical of every place that we have lived. And we can just enjoy the music and quit worrying whether things could be a bit better here or there. And the total cost, with a very good disc player, was $1700, much less expensive than my beloved first system. Now we just read editorials and music reviews -- and enjoy the music.
Now if I had started with the little Klipsch speakers and moved up to the Xeos, I would have been spared much [useless] angst. Please stay the course. You are doing more good than you may know.
Thank you for the kind words, Walter. It’s comforting to know that my thoughts are not wholly consumed by the Internet’s digital abyss. At the end of the day, it is -- or should be -- all about the music, rather than the equipment. Just this morning I found myself ogling Magico’s new A3 loudspeaker on the company’s website, as gears started turning about how maybe, just maybe, I could possibly grab a pair. As you suggest, though, that (imaginary?) money in my bank account could be put to far more responsible, and arguably better, use. In the meantime, let me see about getting review samples of those Klipsch speakers I wrote about last month. . . . Hans Wetzel
To Hans Wetzel,
I do have a question for you. I have Vivid Audio V1.5 loudspeakers connected to a Naim SuperUniti [DAC-integrated amp]. I hear a lot about Hegel [Music Systems] lately. For example, the H160 or the new H190 model [DAC-integrated amp]. What amp would you prefer with the Vivid speakers? Hope to hear from you soon.
Having previously reviewed the Vivid V1.5 for SoundStage! Ultra (due to its fairly high price of $8500 USD/pair), the now-discontinued Hegel H160 and H300 for this site, and as an owner of the current Hegel H360 (which the Hegel H190 borrows from), I feel confident in saying that the Vivid/Hegel tandem is a good one. As a long-time Hegel owner, I’m clearly partial to Hegel’s designs and overall sound. But I take comfort in the fact that I’m not alone in thinking that the Norwegian company is making some top-shelf amps. Al Griffin, who heads up SoundStage! Simplfi, was so taken with the Hegel H190 when he recently reviewed it, it received a Reviewers’ Choice award. Fellow SoundStage! writers Philip Beaudette and Oliver Amnuayphol were also so smitten by Hegel’s H360 and Röst, respectively, when they wrote about them, that those two products also received Reviewers’ Choice awards. Having captured the ear of four writers, I think it’s fair to say that Hegel is the real deal.
Whether you’ll prefer Hegel to your Naim SuperUniti integrated amp is another story. I’ve never heard a Naim amplifier, so I can’t comment on how it might compare to Hegel’s current offerings. If I were in your shoes, though, I’d opt for the H190 and not look back. It’s the company’s newest integrated amp, with a great built-in DAC, and offers 150Wpc into 8 ohms, which should be more than enough for your two-way Vivids to sing without strain. . . . Hans Wetzel
To Hans Wetzel,
I enjoyed your review of the Oppo Digital Sonica DAC and in fact I have recently purchased one. My old Arcam integrated amp is not working well and I was going to buy a Parasound A 23 amp. The Sonica DAC does have a volume control. I only intend to play streamed music from Tidal on my Sonica DAC. Do I need a preamp? Would the Sonica DAC's volume control be sufficient? Thank you.
You should absolutely try running the Sonica DAC directly into the Parasound A 23 amp -- that could produce the best possible sound, providing you can get a high enough volume level out of it. While you can certainly add a preamplifier into the mix to tailor the sound to your liking, if the output from the Sonica is already sufficient, it might not be necessary and would only add a possible source of noise and distortion into the signal chain. If the output from the Sonica is not sufficient, mind you, that is a different story. . . . Hans Wetzel
To Hans Wetzel,
Aloha from Honolulu, Hawaii. This subject [“The Cheaper the Better”] is one that I’ve been after the guys and gals at Stereophile about for years. You have to remember that 30% of the people in the United States earn less than $25,000 a year (I’m one of them). These people can’t afford $1500/pair speakers. They have a hard enough time saving up for a $1500 system. If you want to save the audio business and get the kids with their iPhones and earbuds into real audio equipment, you have to start with under-$500 CD players, or DACs if you’re so inclined. I’m not, I’m old school. I like shiny silver discs, amps (or receivers), and speakers. And there are many great-sounding choices of all three from many manufacturers, but they don’t get enough coverage here in the United States. They do get covered by the Brits’ What Hi-Fi? magazine, which is why they’re my favorite audio publication. Thanks for reading my latest rant. I really like your reviews a lot, but I fear you’ve been hanging around Doug [Schneider] and Jeff [Fritz] too much, and their opinions have skewed your opinion of what’s affordable. I hope everything’s going well in your new home, and have a great holiday season.
Be well and be safe.
To Hans Wetzel,
I just finished reading your informative NAD M32 review. I’m currently setting up a BluOS multiroom system and would like to incorporate a high-end NAD piece for the listening room. The NAD M32 sounds like the right choice. I wanted to ask you if you could compare the M32 to NAD’s M12 [preamplifier-DAC]/M22 [stereo power amplifier] combination, and if there is any justification to spend the extra money on separates?
Can you also please make a recommendation on in-wall and in-ceiling speakers?
Thank you in advance!
Unless you need some of the extra connectivity found on the M12 preamplifier-DAC, I think you’ll be highly satisfied with what the M32 can do on its own. Plus, I’d venture to say that its DirectDigital amplifier section offers higher performance than the M22 stereo amplifier, which our editor, Jeff Fritz, was impressed by when he reviewed it for SoundStage! Ultra in 2015. The M32 is a no-brainer, in my humble opinion.
There are plenty of great brands that sell in-wall and in-ceiling speakers, so I’d feel irresponsible if I only mentioned one. In no particular order: GoldenEar Technology, Definitive Technology, PSB, Paradigm, Focal, and KEF. I know it’s not always easy to listen to speakers before buying, especially on the in-wall/in-ceiling front, but each brand will have its own unique “house sound.” If you like what you hear from a company’s bookshelf or floorstanding loudspeaker models, I’m confident that you'll enjoy their “architectural” offerings. . . . Hans Wetzel
To Hans Wetzel,
I am looking for a new integrated amplifier. My Exposure RC-XXV (purchased in 2000; RC = remote control) is an upgraded version of the XX, [but it] has problems and parts are no longer available. These are the amps I’m considering: NAD Masters Series M32 DAC-integrated amplifier (read your review), Hegel Music Systems H160 (read your review), Leema Acoustics Tucana II, Luxman L-505uX, and the Pathos Classic One Mk.III or Classic Remix.
I’m in a large powered wheelchair, which makes it difficult to access most high-end shops in Toronto. I was hoping for some advice, guidance, or anything to aid in my purchase. I have listened to the Hegel H360 for an hour last month, and the Pathos 15 years ago. I owned a NAD integrated amp for 11 years and it won an award back in the early ’80s.
I read the reviews on the Leema over and over for the last several years. It’s pricey, but I like British equipment. Have you ever auditioned this amp? The Hegel H360 seemed to have slightly slower pace (my foot was not tapping) than my Exposure, but could be wrong (as I can’t use mine). It was nice -- soundstage and overall sound. But how does the H160 compare? The major hitch is the lack of analog inputs. As for the others, again any help would be fantastic. My other equipment includes an Audio Aero Prima DAC, Nakamichi MB-10 CD player, Music Hall MMF 2.1 turntable with a Benz-Micro MC20E2-L cartridge, Epos ES22 loudspeakers, and DH Labs Q-10 speaker cables with Revelation interconnects. I listen mainly to classic rock, progressive rock, and blues.
Edward Holloway (SoundStage! reader since 2001)
Of the amps on your list, I’ve only heard the ones I’ve reviewed, though I have reviewed another of Luxman’s integrated amplifiers, the L-550AX (more below). No, I’ve never heard any of Leema’s amplifiers. With regards to Hegel, the H160 uses an older circuit design than the H360, but should still sound fairly similar in terms of its overall character, so if you didn’t fancy the H360, I doubt you’ll care for its older, less-powerful sibling.
It’s a little hard to tell what type of sound you like, but I think the fact that you owned an NAD integrated amp for so long means you appreciate a neutral, uncolored sonic profile. The NAD M32 might be the type of amp you’re looking for. It’s incredibly linear and clean sounding. It is also very revealing -- it has a wide-open, super-transparent sound that allows you to hear clear through to the back of a recording. What it does not have is much in the way of midrange body or bloom. There’s little warmth on offer, but I suspect that your turntable will help to richen up the proceedings. If you wanted an amp that’s a little more musically engaging in a traditional sense -- think vacuum tubes and class-A topology -- I’d steer you towards the Luxman. While the Luxman L-550AX I reviewed for SoundStage! Hi-Fi was a class-A design, and the L-505uX that you mention uses a class-AB architecture, I would bet that the Luxman house sound is ever-present. Considering the L-550AX not only won a Reviewers' Choice award, but also a Product of the Year award back in 2015, I’m betting the L-505uX is seriously good as well. . . . Hans Wetzel
To Hans Wetzel,
I just want to know what you think about pairing Monitor Audio’s Silver 8 [speakers] and Hegel Music Systems’ H160 [integrated amplifier]? Would it sound too bright when playing rock and metal? The speakers I use today are way too bright with the H160.
Thanks and have a nice day,
Having previously owned Monitor’s Silver 10, which is larger but I believe uses an identical tweeter to the Silver 8, I feel confident in saying that I don’t believe the Monitor/Hegel combination will sound bright through the treble. Unlike the company’s less-expensive Bronze line, whose tweeter is a touch edgier and sharper in its delivery, the Silver tweeter is both highly resolving and quite smooth. I partnered my Silver 10s with the larger Hegel H360 DAC-integrated amp and never felt that the pairing’s high-frequency performance was too strident or harsh. Our own Philip Beaudette, who reviewed the smaller Silver 6 a couple years back, described the tweeter as sounding “crisp,” but took pains to explain more by also stating, “using a word like crisp to describe a speaker’s sound might seem to imply that that sound was bright. The S6 was not bright.” In sum, I think a pair of Silver 8s will partner fine with your Hegel H160. . . . Hans Wetzel
To Hans Wetzel,
Currently I’m running an eight-year-old Lyngdorf TDAI 2200 [integrated amplifier] and am looking for something better. As I’ve only digital sources (Aurender X100, satellite radio), Devialet’s Expert 130 Pro and NAD’s Masters Series M32 are on my preference list. What do you think?
Many thanks for your support,
I think that both are excellent products in their own way, and while neither offers room correction like your Lyngdorf amp, I bet that you’ll find each offers immediate sonic improvements over your current setup. Of the Devialet and NAD, I think the Devialet is the amplifier through which you’ll hear more of your digital music. Its stereo imaging and analog-like smoothness are beguiling. If you’re fond of a more traditional “digital” sound -- super clean, super transparent, and highly articulated -- I think the NAD will be more to your liking. In either case, the Devialet and NAD are topflight amplifiers that will serve you well into the future. . . . Hans Wetzel