Reviews of Attainable Hi-Fi & Home-Theater Equipment


Reviews of Attainable Hi-Fi & Home-Theater Equipment

  • SoundStage! Shorts - Livio Cucuzza on Audio Research's Industrial Design (November 2018)
  • SoundStage! InSight - Audio Research Past, Present, and Future (October 2018)
  • SoundStage! Shorts - KEF's New R Series for 2018 (September 2018)
  • SoundStage! InSight - Simaudio Moon 390 Digital/Analog Preamplifier and Streamer (September 2018)
  • SoundStage! Shorts - EISA 2018-2019 Awards Introduction (August 2018)
  • SoundStage! InSight - Simaudio's $118,888 Moon 888 Mono Amplifiers (June 2018)
  • SoundStage! Shorts - Totem's Tribe Tower (May 2018)
  • SoundStage! InSight - Amphion's Three Newest Argon Loudspeakers (April 2018)
  • SoundStage! Shorts - Making the Hegel Mohican CD Player (March 2018)
  • SoundStage! InSight - Estelon Lynx Wireless Intelligent Loudspeaker (March 2018)
  • SoundStage! InSight - McIntosh's Five New Solid-State Integrated Amplifiers (January 2018)
  • SoundStage! Shorts - Amphion's Krypton Loudspeaker (January 2018)
  • SoundStage! InSight - Anthem STR Preamplifier and Power Amplifier (December 2017)
  • SoundStage! Shorts - McIntosh Laboratory MA252 Integrated Amplifier (November 2017)
  • SoundStage! InSight - Hegel H90 and H190 Integrated Amplifiers (October 2017)
  • SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)

To Hans Wetzel,

I just saw your latest post on SoundStage! Access. I’ve had a pair of KEF R7s since mid-October (I think I got one of the first pair in the US from KEF Direct), and I think you will love them. Mine are driven by a Hegel Music Systems H160, by the way. [They’re] my first KEFs, so I don’t know how they compare to the R700s, but I will tell you my experience. They take a while to break in. Out of the box they were pretty hollow/forward, not what I’d call “bright,” because [they’re] not harsh, just a bit lean in the upper bass/lower mids. I’ve come to conclude that this is apparently consistent with KEFs “house” sound and is how they accomplish the whole “transparency and detail” thing without any excess midbass muddying things up. My previous speakers were Sonus Faber Venere 3.0s, which, of course, lean (too heavily, perhaps) to the warmer side of things, so it was a bit of an adjustment for my ears/brain. But, now that they’ve run in (100+ hours) and I’ve gotten used to them, I am very happy with the R7s. I kept the Veneres just for the hell of it, and am looking forward to putting them back into the system in a few months to see if they sound slow and syrupy in comparison to the KEFs. If so, I will sell them. I love reading all your reviews and comments, as most of your systems are in my preferred price range. Cheers!!!!

Lon Thompson
United States

Thanks for reading, Lon, and I appreciate your feedback. I’m not surprised that you enjoy the R7s so much, as KEF knows what they’re doing. That said, your Sonus Fabers are no slouches, and certainly look the business even though they’re several years old. I’m not sure when we’ll be able to get in speakers to review from KEF’s updated R series, but we’re going to try and line up our samples with other writers. I think I’ve developed the reputation of being “The KEF Guy,” and the fact is that there are tons of other companies -- Sonus Faber included -- that are making excellent loudspeakers. I’m hoping that in 2019 I can gain exposure to new brands and loudspeakers that our readers might appreciate. . . . Hans Wetzel