Reviews of Attainable Hi-Fi & Home-Theater Equipment


Reviews of Attainable Hi-Fi & Home-Theater Equipment

  • SoundStage! InSight - Simaudio's $118,888 Moon 888 Mono Amplifiers (June 2018)
  • SoundStage! Shorts - Totem's Tribe Tower (May 2018)
  • SoundStage! InSight - Amphion's Three Newest Argon Loudspeakers (April 2018)
  • SoundStage! Shorts - Making the Hegel Mohican CD Player (March 2018)
  • SoundStage! InSight - Estelon Lynx Wireless Intelligent Loudspeaker (March 2018)
  • SoundStage! InSight - McIntosh's Five New Solid-State Integrated Amplifiers (January 2018)
  • SoundStage! Shorts - Amphion's Krypton Loudspeaker (January 2018)
  • SoundStage! InSight - Anthem STR Preamplifier and Power Amplifier (December 2017)
  • SoundStage! Shorts - McIntosh Laboratory MA252 Integrated Amplifier (November 2017)
  • SoundStage! InSight - Hegel H90 and H190 Integrated Amplifiers (October 2017)
  • SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)
  • SoundStage! Shorts - GoldenEar Technology's Anechoic Chamber (May 2016)
  • SoundStage! Shorts - PSB's M4U 4 Earphones (April 2016)
  • SoundStage! InSight - GoldenEar Technology's Triton Two+ and Three+ Loudspeakers (March 2016)
  • SoundStage! Shorts -- KEF's LS50 (February 2016)

To Hans Wetzel,

I enjoyed reading your reviews on the Rogue Audio Sphinx and the Parasound Hint [Halo Integrated] integrated amps. Those are the two amps I am most strongly considering purchasing. You didn’t mention one vs. the other in your reviews, so I was wondering how you thought they stack up? The Parasound is a complete system, but the Sphinx coupled with a high-end external DAC (probably the Arcam irDAC II for around $800) comes out to nearly the same price. Given the near price parity, would you give the edge to one of these setups in terms of sonics and longevity?

Thanks,
Chris
United States

I really enjoyed my time with the Rogue Audio Sphinx, back in 2013. It was, and to my mind still is, a great integrated amp for the money. Your suggestion of partnering it with Arcam's irDAC II is also interesting, as I use the original irDAC as my standalone digital-to-analog converter of choice. I think the tandem would have terrific synergy together. The Sphinx has a lively, dynamic sound, but with a touch of midrange bloom and dimensionality that I can readily attribute to its pair of Russian vacuum tubes. And Arcam’s DAC (at least my original irDAC) is excellent for the money.

Here’s the rub, though. As I suggested in my review, Parasound’s Halo Integrated is THE integrated package to have for around $2500. Compared to the Sphinx, the Halo offers greater power, superior connectivity, balanced inputs, bass management, tone controls, and a headphone amplifier, among other features. It is also dead-neutral sounding and should be bulletproof when compared to the Sphinx, since its solid-state innards don’t have a limited lifespan like the Sphinx’s tubed preamp section does. In terms of resolving ability, I’d say the two options are broadly similar, but I’d ultimately give the nod to the Parasound.

Now, it could well be that you don’t fancy a dead-neutral sound, in which case, the Sphinx-Arcam pairing may well tickle your fancy -- that would be a seriously engaging midrange. But if you’re looking for a “set it and forget it” package, the Parasound is an easy choice. . . . Hans Wetzel