• SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)
  • SoundStage! Shorts - GoldenEar Technology's Anechoic Chamber (May 2016)
  • SoundStage! Shorts - PSB's M4U 4 Earphones (April 2016)
  • SoundStage! InSight - GoldenEar Technology's Triton Two+ and Three+ Loudspeakers (March 2016)
  • SoundStage! Shorts -- KEF's LS50 (February 2016)
  • SoundStage! InSight -- Monitor Audio's Platinum II Series (January 2016)
  • SoundStage! Shorts -- Pryma 0|1 Headphones (December 2015)
  • SoundStage! InSight -- KEF's Blade Two Loudspeaker (November 2015)
  • SoundStage! InSight -- KEF and the Uni-Q (October 2015)
  • SoundStage! InSight -- Monitor Audio Acoustics & Aesthetics (August 2015)
  • SoundStage! InSight -- PSB's Imagine T3 Loudspeaker (June 2015)
  • SoundStage! InSight -- Hegel's H160 Integrated Amplifier-DAC (April 2015)
  • SoundStage! InSight -- MartinLogan's Neolith Loudspeaker (February 2015)
  • SoundStage! InSight -- Paradigm's Prestige Series (December 2014)
  • SoundStage! InSight -- Vivid Audio's Giya Series (October 2014)
  • SoundStage! InSight -- Totem Acoustic's Torrent Technology (August 2014)

Experience Hendrix/Legacy 88985354162
Format: CD

Musical Performance
****1/2

Sound Quality
****

Overall Enjoyment
****1/2

At the time of Jimi Hendrix’s death, in September 1970, he had released three studio albums (Are You Experienced, Axis: Bold as Love, and Electric Ladyland), one live album (Band of Gypsys), and a compilation (Smash Hits). Since then, 12 albums of studio material have been added to his discography, and it’s almost impossible to keep track of the posthumous concert albums. On the plus side, the releases since 1995 have financially benefited Hendrix’s family, after years of his recordings being controlled by others.

dBpm/Anti- 87259-2
Format: CD

Musical Performance
****

Sound Quality
****

Overall Enjoyment
****

Just last year Wilco released Star Wars, a great, experimental rock album filled with gnarly guitars and edgy songs. Their follow-up, Schmilco, is a quieter record that presents its own challenges. Beneath its calm surface are songs about not quite fitting in, and trying to pull hope from life’s difficulties and sadness.

Anti-/Red Floor 87471-2
Format: CD

Musical Performance
****

Sound Quality
***1/2

Overall Enjoyment
****

When I first played Daniel Lanois’s new disc with Rocco DeLuca, it reminded me of Harold Budd’s music. Lanois helped produce The Pearl, a collaboration between Budd and Brian Eno, as well as La Bella Vista, a collection of Budd’s solo piano works. As I listened to Goodbye to Language more, I still heard a bit of a connection between Lanois and Budd, but only in the sense that both create densely complex music from seemingly simple and repeated elements.

John Varvatos Records B0025335-02-1802
Format: CD

Musical Performance
****

Sound Quality
***1/2

Overall Enjoyment
***1/2

Amos Lee’s new album, Spirit, is his first for John Varvatos Records after his debut EP on Right at Home, five studio recordings for Blue Note, and a live set for ATO. Lee produced and recorded Spirit in Nashville, at Blackbird Studio and Sputnik Sound. His other records have shown the influences of everything from country and folk to jazz, but Spirit is full-on, gospel-inflected soul. In the very first track, “New Love,” Jaron Olevsky’s piano and Hammond B3 give clues that Lee has moved into a stronger R&B direction, but it’s the Stax-style horns that bring it home.

ECM 2490-93 (475 5832)
Format: CD (4)

Musical Performance
****

Sound Quality
****1/2

Overall Enjoyment
****1/2

Drummer Peter Erskine had been active in jazz for 20 years when ECM released You Never Know (1994), the first of four discs he made for the label with a trio that included British pianist John Taylor and Swedish bassist Palle Danielsson. As It Was gathers all four of the Peter Erskine Trio’s ECM releases into a boxed set that’s part of the label’s Old and New Masters Series.

Atco/Atlantic/Rhino R2 555546
Format: CD

Musical Performance
***

Sound Quality
***

Overall Enjoyment
***

If you don’t count his time with the Yardbirds, Jeff Beck has been making records since 1968, and I can’t recall a single album by him that is in any way political. But Loud Hailer (Britspeak for megaphone), Beck’s first studio album since Emotion & Commotion (2010), proclaims his opinions on current events.

My Music Empire MME101CD
Format: CD

Musical Performance
***1/2

Sound Quality
***1/2

Overall Enjoyment
***1/2

The Posies’ Jon Auer and Ken Stringfellow solidified their place in pop music in the early 1990s, when they appeared in a reconstituted version of Big Star that included original members Alex Chilton and Jody Stephens. By then, the Posies had themselves recorded three terrific power-pop records: Failure (1988), Dear 23 (1990), and Frosting on the Beater (1993). In the ensuing 17 years they released four more studio albums, with a few gaps along the way as Auer and Stringfellow pursued other interests.

Fantasy FAN-39674-02
Format: CD

Musical Performance
***1/2

Sound Quality
***1/2

Overall Enjoyment
***1/2

Shawn Colvin and Steve Earle have both been around for some 30 years, each making music at the intersection of country, folk, and rock. In 2014, when Colvin asked Earle to join her for some shows late in that year, they discovered that their voices harmonized naturally. Their first recorded collaboration, Colvin & Earle, suggests that their songwriting styles mesh, too.

Universal Music Canada 025476J442
Format: CD

Musical Performance
****1/2

Sound Quality
***1/2

Overall Enjoyment
****

In the fall of 1991, my wife and I went to see guitarist Eric Johnson at a club a few miles from our apartment. The opening act was The Tragically Hip, a band from Kingston, Ontario, about which I knew little beyond a single from 1989, “New Orleans Is Sinking,” which had gotten some airplay on a local rock station. The band was touring behind their second full-length album, Road Apples, released just a few months before we saw them.

Bushbranch/Surfdog 51279-2
Format: CD

Musical Performance
***1/2

Sound Quality
****1/2

Overall Enjoyment
****

For about ten years, beginning in late 1963, Eric Clapton was such a hugely influential blues and rock guitarist that he created, with Jimi Hendrix, the concept of the guitar hero. His recordings with the Yardbirds, John Mayall, Cream, Blind Faith, Delaney and Bonnie, and Derek and the Dominos helped define what it was to be a solo rock guitarist. He pushed himself to try new things, and every solo was exciting, fresh, and surprising.