To Hans Wetzel,
The NAD M32 is very intriguing to me with its combination of features and cutting-edge technology in a single, attractive, well-integrated component. I want to assemble a modern system and minimize the number of separate components with lots of interconnects. I also listen to a lot of vinyl.
Did you let the M32 break in before you did your extensive listening tests? If it wasn’t broken in for very long, could that have been the cause of the relative reduction of “lifelike” midrange compared to your Hegel H360, which has had plenty of time to break in? I am currently using Revel Performa3 F206es, which are very revealing.
It’s possible that break-in time may have been a contributing factor, Ira. I can’t definitively rule that out. However, I don’t pay much mind to electronics manufacturers’ suggestions about arbitrary 50-, 100-, or 500-hour break-in periods. Loudspeakers have moving parts, and breaking in fresh diaphragms and their stiff, unused surrounds over 10-20 hours of listening makes perfect sense. I don’t necessarily share a similar view on solid-state amplification. So long as the amp is up to operating temperature -- which may admittedly take 15-30 minutes -- there’s no reason it shouldn’t be ready for serious evaluation. Rest assured, though, my NAD M32 review sample had well over 100 hours of listening mileage on it before I sat down to write up my review.
I think the M32 would be a terrific partner for your Revels, which I know to be excellent loudspeakers. For the money, I’m not sure you could buy a more resolving and transparent system. . . . Hans Wetzel