• SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)
  • SoundStage! Shorts - GoldenEar Technology's Anechoic Chamber (May 2016)
  • SoundStage! Shorts - PSB's M4U 4 Earphones (April 2016)
  • SoundStage! InSight - GoldenEar Technology's Triton Two+ and Three+ Loudspeakers (March 2016)
  • SoundStage! Shorts -- KEF's LS50 (February 2016)
  • SoundStage! InSight -- Monitor Audio's Platinum II Series (January 2016)
  • SoundStage! Shorts -- Pryma 0|1 Headphones (December 2015)
  • SoundStage! InSight -- KEF's Blade Two Loudspeaker (November 2015)
  • SoundStage! InSight -- KEF and the Uni-Q (October 2015)
  • SoundStage! InSight -- Monitor Audio Acoustics & Aesthetics (August 2015)
  • SoundStage! InSight -- PSB's Imagine T3 Loudspeaker (June 2015)
  • SoundStage! InSight -- Hegel's H160 Integrated Amplifier-DAC (April 2015)
  • SoundStage! InSight -- MartinLogan's Neolith Loudspeaker (February 2015)
  • SoundStage! InSight -- Paradigm's Prestige Series (December 2014)
  • SoundStage! InSight -- Vivid Audio's Giya Series (October 2014)
  • SoundStage! InSight -- Totem Acoustic's Torrent Technology (August 2014)
  • SoundStage! InSight -- Axiom Audio's M100 v4 Loudspeaker (May 2014)
  • SoundStage! InSight -- Muraudio's Domain Omni Series (March 2014)

If there was any argument before, it’s well settled now: The annual High End show, held in May in Munich, Germany, is the biggest and best audio exhibition in the world. It draws record numbers of exhibitioners and attendees, even as the high-end audio portion of the Consumer Electronics Show, held each year in Las Vegas, continues to contract. While I couldn’t get to High End this year, I intend to be there for the 2017 edition. But the SoundStage! contingent of Doug Schneider, Jeff Fritz, and Brent Butterworth provided excellent and timely reporting of the proceedings at High End on SoundStage! Global. While that coverage included mentions of many newly introduced products worth mentioning here, I spotted a trend in the reports that seemed worthy of exploration.

High End 2016

In the past few years I’ve made a fair bit of noise about integrated amplifiers, especially models with built-in digital-to-analog converters. As a member of the millennial generation, which cherishes convenience and consolidation above almost everything else, to me an audio system comprising multiple electronic components doesn’t seem merely cumbersome; it’s downright ludicrous. Do separates, with their isolated circuits and dedicated power supplies, actually sound better than all-in-one systems? And if they do, how audible is that difference -- and is it even important? My opinion is an emphatic “no,” and based on the multiple unsolicited e-mails I’ve received from readers and industry professionals who marvel at just how good Hegel Music Systems’ H360 integrated amplifier-DAC is for $5700 USD, it’s clear I’m not alone. (Full disclosure: The H360 is my reference amplifier.) Interestingly, wealthier audiophiles appear to be arriving at a similar conclusion, and multiple ultra-high-end brands are beginning to enter the fray.

CH Precision

CH Precision doesn’t know how to make inexpensive gear. The Swiss company’s hand-built electronics are as much audio jewelry as tools for the reproduction of music. Their fabulously well-built and stylish components start at $14,975, for the X1 power supply, while their amps, preamp, and line stage-DAC start at over $30,000 apiece. So when CHP announced its I1 integrated amplifier in Munich, which combines the circuits from its various separates (including its A1 amplifier, L1 line stage, P1 phono stage, and C1 DAC) into a single chassis, with prices starting at €26,800 (optional modules range from €1800 to €3200), I knew something was up. Even with the favorable €/USD exchange rate, that’s an absurd amount of money to spend on a piece of electronics. But compared to the cost of assembling a system of CH Precision separates, the I1 is a bona-fide bargain. If the I1’s core circuits really are the same as CHP’s separates’, I’m not sure how anyone in his or her right mind could skip this model.

Soulution

Another Swiss manufacturer, Soulution, announced the 330 integrated amplifier (€15,000), which produces 80Wpc into 8 ohms. The usual balanced and unbalanced inputs are included; phono-stage and streamer-DAC options will be available at extra cost. Seeing as SoundStage! Editor-in-Chief Jeff Fritz found Soulution’s 711 stereo amplifier ($65,000) to have “nigh-on perfect sound,” and subsequently bought one, I would hope that the 330 demonstrates a significant amount of its big brother’s sound for a much less princely sum.

Esoteric

Japanese manufacturer Esoteric released two substantial new integrated amps. The F-03A (€14,000, right) is a class-A design that produces 30Wpc into 8 ohms, or 60Wpc into 4 ohms. The class-AB F-05, meanwhile retails for €10,000, and promises 120Wpc into 8 ohms or 240Wpc into 4 ohms. Optional, unpriced DAC boards are available for each model, and each is said to have circuitry derived from the company’s flagship Grandioso line. Since the top-flight Grandioso products include the M1 monoblock ($21,000/each), the D1 mono DAC ($20,000 each), and the two-piece C1 preamplifier ($40,000), the prices of Esoteric’s new integrateds seem quite reasonable, all things considered.

Constellation Audio

Then there’s California-based Constellation Audio’s Inspiration Integrated 1.0 integrated amplifier ($13,500), which delivers 100Wpc into 8 ohms via a class-AB design. Seeing as the matching Preamp 1.0 line stage costs $9000 and the Stereo 1.0 stereo amplifier (200Wpc into 8 ohms) retails for $10,000, I’m almost inclined to call the Integrated 1.0 a bargain. Having seen and admired Constellation’s more expensive Performance Series models ($20,000+) at past CE and High End shows, I’m betting the Integrated 1.0 has the sound quality to match its minimalist aluminum good looks.

I’m not trying to torture you with gear that listeners such as you and I can’t afford, and can only admire from a distance. Rather, it’s to make the point that, when the highest of high-end electronics manufacturers are making integrated electronics at bargain prices compared to their usual fare, it means there’s a market for it. Moreover, I’d argue that these new models are tacit admission that the integrated amplifier is no longer something that established, old-school -- or maybe just old -- audiophiles sneer at. I recall a time when the integrated amplifier was considered little more than a “lifestyle product” -- a term so derogatory that any self-respecting audiophile would instantly dismiss it out of hand. Perhaps it fit the hi-fi narrative of the time.

Not anymore. Print audio magazines are no longer the only voice of guidance about what is right or wrong, good or bad. Audiophiles these days are much more likely to buy equipment sound unheard, and not from a local dealer. Finally, the number and scope of meaningful voices has greatly expanded, whether it be from online magazines such as this one, or online forums of audiophiles from around the world sharing their thoughts and experiences, for better or for worse. This egalitarian environment has conspired against the status quo to usher in the integrated amplifier as the new audio component of choice -- even as a new generation of DSP-driven, powered, all-in-one loudspeakers begins to trickle into relevance.

Hegel Music Systems

So which attainable new integrated amps were announced at High End? Audiolab, Cyrus, Hegel, Marantz, Musical Fidelity, and T+A each introduced something new, and all of them can be seen in greater detail in our show coverage. No doubt more were announced that our hardworking team missed. Unfortunately, after a product is announced, it can take months, even a year or more, before it goes into production. It may be some time before reviews of any of these products appear on SoundStage! Access. But the overall trend is unmistakable.

New integrated amplifier-DACs that I hope you might be able to read about here before the end of 2016 include: Bryston’s B1353 ($5495; add $750 for phono stage, $1595 for DAC); Micromega’s incredibly stylish M-One (approx. $4000); and NAD’s Masters Series M32 Direct Digital ($3499). No doubt about it -- it’s going to be a fun summer and fall for this guy.

. . . Hans Wetzel
hansw@soundstagenetwork.com